This research study attempts to explicate the aspiration of returning to pristine nature in Waubgeshig Rice’s novel Legacy by applying the theory of eco-criticism. As Indigenous texts represent the symbiotic relationship between culture and nature, which serves as an essential feature of the Indigenous people being their attempt to reconnect to nature through land. The purpose of this is gaining Indigenous identity, which has its origins in peace among all living things. This writing has been analyzed based on nature-centered concepts, traditional and cultural practices, environmental respect and knowledge, and dependency on nature and its resources as portrayed in certain important excerpts. The study will demonstrate how Rice conveyed nature awareness by a simple depiction of the character’s harmony with their surroundings and how they find healing through nature. He demonstrates how the human’s connection with nature sheds light on postmodern themes such as identity and ethical decline. Rice promotes the idea that the environment plays a significant role as well as being a central factor in the Indigenous existence and how it has a direct influence on them. Discussing discrete characters and their various attributes, as well as the parts these characters are assigned in connection to the world around them through nature, is crucial to understanding the notion of man-environment interaction.

This research paper investigates two literary texts, one is an ancient Indian epic Bhagavad Gita (The Song of the Lord) anonymously written between (500 -200 BC) while the second is a historical novel Manuscript Found in Accra by Paulo Coelho. Though the two texts may vary in their genre and their religious tradition, they still share significant features. The first is related to the setting. The first shared feature is army preparation for a war which is going to happen soon based on the setting of both texts. The second feature, in common with the two texts, is in connection with their narrative structures. Both texts are based on a question-answer dialogue, a discourse between two parties of characters. The third significant characteristic shared by the two texts is in connection with their core religious, spiritual, and philosophical themes. Arjuna, in Bhagavad Gita, and the people of Jerusalem, in Manuscript Found in Accra, agitatedly ask their spiritual leaders, Krishna, in the first text, and the Copt, in the second, religious and ethical questions. These questions evidently refer to key subjects which are victory in a military combat, God’s will and volition and love between man and God and among human beings. While analyzing these themes, the discussion thoroughly probes through the two texts’ religious contexts: the Hindu theologian tradition and Biblical teachings. The aim is to meticulously examine the points of disparity between the Hindu versus the Christian understanding of victory in the battlefield, God’s will and love, which are the core themes in this analysis.

This article is dedicated to the analysis of Mehmed Uzun’s initial Two novels, Tu (1985) and Mirina Kalekî Rind (1987). It focuses on Mehmed Uzun as a representative of modern Kurdish narrative. When it comes to the concepts of identity distortion in characters and their complicated state of mind, his novels can be a relevant subject matter for interpretation. In light of Mikhail Bakhtin’s theory of polyphony and the scholars who worked in his circle, this article explores the polyphonic aspects of Mehmed Uzun’s two initial novels. Through novelistic discourse analysis, it becomes apparent that the characters suffer from the dormant identity, which is locally given to them in Uzun’s diasporic fiction. Next, the discussion gives further details regarding polyphony and how problematic polyphony can be found in the novels mentioned above. Finally, this article sheds light on the notion of identity formation in the fictional novel and its relationship with the real world during the time the novels were written. It concludes that the entire representation of characters and settings in his novels leads to the production of a realistic novel with the consistent discourse that can be considered an objective view of a specific time in history which is undermined.

This article focuses on the influence of the colonialism and how such forces are reflected in the modern Kurdish novel. It becomes apparent that such forces are yet at a great work in the regions inhabited by the Kurds in the region of Middle East. Furthermore, this study considers how sophisticated means are being used physically, culturally, and economically as an ongoing process where people have been deprived of stability, prosperity and peace. In concluding remarks, it becomes evident that the impact of colonialism, has influenced people on four levels: First, the internal displacement, mostly reflected in Gharbi Mustafa’s first two novels. Secondly, The Inner psychological conflict, this experience is reflected in Ismet Badal’s novel Dawiya Şervanekî. Thirdly, man’s quest for traditions which is mostly reflected in Yashar Kemal’s novel The Pomegranate Tree. These factors have triggered a response to the dominant narrative in the form of novels.

Despite the fact that Zakho provides a safe sheltering for multi-faith/ethnic groups, little has been documented about tolerance and coexistence regarding people residing this town. This paper analyzes a book titled My Father’s Paradise, written by Ariel Sabar, published in 2008. It focuses on the initial events of the book that take place in Zakho; a town located in Kurdistan region of Iraq. This town plays an important role in the development of Sabar’s main characters of the story. Additionally, the paper focuses on the notion of tolerance among various religious groups co-existing in the same town. In exploring the notions of tolerance and coexistence, researchers closely approach the development of major character in order to gain insights into the characters’ lifestyle and how they are represented in the world of the story. The paper concludes that the ambience of Zakho town, including cultural, traditional and geographical elements as well as personal names, have essentially influenced individuals’ moral, intellectual, and spiritual character development of My Father’s Paradise.