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Conference

2019

Reflection of the semantics of the rhetorical elements (the science of the statement) in the narration - the Holocaust - by the writer: Balad Muhammad)

2019-04
The Third International Conference of the College of Basic Education, University of Duhok
The aim of this study is to show how the elements of the(rhetoric of tropes and metonymies) alphabet can be re-shpped in the narrative text and to show that each element is able to shapp the hidden sign of the text. It is noted that the monetary studies have dealt with the science of eloquence in general and the flag of the statement in particular, The text of the scriptures is more than the other texts, but in fact the elements of the alphabet are effectively embodied within the other literary genres, especially the narrative text. In this study, we have presented a theoretical background on the concept of eloquence and place (the science of the statement) within the science of eloquence and our study of the four elements of the science of the statement. In the section In the application of the study, we analyzed the applied models of the text of the novel for all the elements of the "manifesto". It was clear to us that the comparison was first in the novel, trope and metaphor in second and third place. We found out that the four elements of the science statement may Tjsdoa the hidden significance of the text of the novel effectively and was expressing the pain and tragedies
2018

The function of keywords to embody the significance in creative texts: Application on the story collection - The Night of the Angels Flee - For the storyteller: Ismail Hagani)

2018-04
The first international conference, Faculty of Languages, Nowruz University
The purpose of this study is to show how creative literary texts (key words) can be used for the purpose of inculcating the hidden meaning of the creative literary text. By analyzing the key words within the creative texts, the researcher can find hidden meaning in it, Which is characterized by this subject (key words) to reflect the hidden significance of the texts, but we have not yet find any research or academic message in the Kurdish literary criticism on this subject. In this study, we have presented the subject (key words) in terms of content and context as well, and we have explained the concept and definition of (words) we also explained the dimensions and importance of key words in theory. On the practical side, we analyzed (key words) within the texts of three stories, and it became clear to us that each text contains (key word) and include in their fold the subtle connotation for those stories and it became clear to us that (key words) of those texts were mainly distributed throughout the fabric of the text of those texts.

semiosis - as a generator of meaning in the creative literary text we conduct the poem of - Baran - of by Muhammad Ali Yasin Taha - as example

2018-03
The 2nd International Conference for Physicians of the Humanities, University of Zakho
The purpose of this study is to show how semiosis is produces for the purpose of producing or generating semantics in the creative literary text. Because the process, analysis of the signs in the creative texts and it helps the researcher to reach the inner textures and find hidden significance Despite the importance of this theme (Semios) for the production of signs, on the other hand, there are no research or academic study in the Kurdish literary criticism on this subject. In this piece of study, which title of semiosis - as a generator of meaning in the creative literary text we conduct the poem of - Baran - of by Muhammad Ali Yasin Taha - as example the theme of the semiosis in terms of content in general and we explained the concept and definition of the semi- We also explained the location of the semiosis and its elements and how it works within the Simeologic theory. Then we explained the two signs (Baran, Yar) of the poem mentioned by the semiosis way of producing significance. It was clear to us that the majority of the hidden significance of the poem was embodied In these two parameters (Baran, Yar) and especially the tag (Baran) embraces the proportion greater than the other.

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